Blacksmithing

Beginning Blacksmithing TOP

Instructor: George Anderton
Member of the Blacksmith’s Guild of Potomac (Maryland) with 13 years teaching experience.

Tuition: $250
Prerequisite: None
Class Size: Limited to 6 students

In this class you will learn the fundamentals of blacksmithing and its tools and how to use them. Most of the class will consist of working on individual projects concentrating on small size stock and primarily working on how to use a hammer accurately. All students will work on the same projects which are:

Center punch
Drive hook
Screw hook
Forge Poker
Two nails
Long flesh fork
One leaf
Pair of tongs

In the course of doing these projects you will learn about tool steel, heat treating tools, drawing a point, scroll forms, dimensioning stock, bending, fullering, splitting, slitting, punching holes, riveting, twisting and using a gas forge. You will also learn how to use a hammer, anvil and vise. You will need to bring a pair of safety glasses or goggles.

TOP

Introductory Blacksmithing (Two-Day Intensive) TOP

Instructor: George Anderton
Member of the Blacksmith’s Guild of Potomac (Maryland) with 13 years teaching experience.

Tuition: $175
Prerequisite: None
Class Size: Limited to 6 students

In this brief, two-day intensive you will learn the fundamentals of blacksmithing and its tools and how to use them. This is a new class and sure to be a winner.

Intermediate Blacksmithing TOP

Instructor: George Anderton
Member of the Blacksmith’s Guild of Potomac (Maryland) with 13 years teaching experience.

Tuition: $250
Prerequisite: Beginning Blacksmithing (or equivalent)
Class Size: Limited to 6 students

You will continue to work on hammer accuracy, as well as learn several new techniques and procedures that build on what was learned in the beginning class. Included in this class are projects that teach the basic types of joinery in traditional blacksmithing. You will work on learning to make tennons, scrolls, collars and hinges—all while working in larger sizes of stock. You will use these skills in making a heavy-duty wall hanger, a colonial style fork, a Suffolk latch and a pair of hinges. You will need to bring a pair of safety glasses or goggles.

TOP

Bronze Work TOP

Bronze is the traditional name for a broad range of alloys of copper, usually with zinc and tin but not limited to just those metals. First utilized during the Bronze Age, to which it gave its name, bronze was used to produce tools, weapons and armor which proved either more durable or harder than their stone and copper predecessors.

Ceramic Shell Process TOP

Instructor: Patrick Birge, MA, MFA
Note: Classes will start in 2005

This class is designed to show you all the steps of the ceramic shell investment process. In other words, we will learn how to make the molds that will be used to receive the hot molten metal to make bronze sculptures. We will start with the creation of a wax sculpture and end with the casting of your piece in bronze. You will learn to work with cold and hot wax-working techniques. Further, you will learn how to build a hollow or solid sculpture in wax, apply textures and surface detail. Next, we will explore the gating process for the ceramic shell investment molds and then we will cast your piece in bronze. The last stage of the process to be demonstrated is the metal chasing, finishing and basic patinas.

Please bring two or three pieces you want cast which should not be larger than 18 inches tall. We will choose one piece to be cast the two or three brought to class.

Bas-Relief (Scratch Mold Process) TOP

Instructor: Lincoln Mudd, MFA in Sculpture, BA in Studio Arts, has won many awards and has been featured in many group exhibits.

Prerequisite: None
Class Size: Limited to 10 students
Note: There is an additional charge per pound for bronze

In this introductory metal casting class, students will make a bronze bas-relief suitable for interior or exterior display. Using resin-bonded sand, a simple scratch mold will be created. Then by utilizing an immediate process, students will directly carve the sand mold. Next, how to gate, vent and close the mold will be taught. Finally, the work will be cast and chased — creating a bronze relief panel.

Lincoln will be teaching additional classes in the near future. Two classes already planned are "Lost Wax (Sand Mold)" and "Piece Mold Workshop" — an intensive two-weekend long course. Please check back here often.

TOP

Clay

Sculpting in Clay (Three-Day Weekend) TOP

Instructor: Patrick Birge, MA, MFA

Prerequisite: None
Class Size: Limited to 10 students
Tuition: $290 (includes materials)

TOP

Sculpting in Clay (Two-Day Weekend) TOP

Instructor: Patrick Birge, MA, MFA

Prerequisite: None
Class Size: Limited to 10 students
Tuition: $260 (includes materials)

TOP

Flameworking

Introduction to Flameworking TOP

Instructor: Liz Mears (author of Flameworking: Creating Glass Beads, Sculptures & Functional Objects, link to see some of Liz' work)
Tuition: $300 (includes materials)
Prerequisite: None
Class Size: Limited to 10 students

In this class students will learn how to operate the oxy/propane torch as well as necessary safety measures. Beginning exercises will focus on the use of gravity as a tool, making small solid objects from clear glass, fusing solid joints, and applying simple surface decoration with colored glass, powders, and frits. The kiln will be introduced as a tool for holding and annealing. These beginning exercises in solid glass will be followed by an introduction to making simple objects using hollow tubing. Parts which have been made will be incorporated into a simple small sculpture.

Intermediate Flameworking TOP

Instructor: Liz Mears (author of Flameworking: Creating Glass Beads, Sculptures & Functional Objects, link to see some of Liz' work)
Prerequisite: Some experience
Class Size: Limited to 10 students

Beginning experience in flameworking is beneficial before taking this class. This class will focus on the use of hollow tubing. We will work on pulling points. More advanced topics: blown objects, color inclusions in solid glass, surface color on tubing, heat gradient as it relates to creating larger sculpture, and fusing tubing to make joints.

Marbles, Pendants & Solid Ornaments TOP

Instructor: Liz Mears (author of Flameworking: Creating Glass Beads, Sculptures & Functional Objects, link to see some of Liz' work)
Prerequisite: None
Class Size: Limited to 10 students

Previous experience is not necessary. In this class students will learn how to operate their torches. They will learn safety measures to be taken when working with oxygen/propane torches. The exercises in this class will focus on making marbles, pendants for jewelry or shade pulls, and solid ornaments such as icicles. We will use color both as surface decoration and as inclusion in clear glass.

Create A Sculpture TOP

Instructor: Liz Mears (author of Flameworking: Creating Glass Beads, Sculptures & Functional Objects, link to see some of Liz' work)
Prerequisite: Some experience
Class Size: Limited to 10 students

Some previous experience is helpful. In this class we will concentrate on making small parts from either solid glass or hollow tubing. These parts can then be incorporated into a larger sculpture. Each student will work independently to realize his/her own vision led by assistance from and demonstrations by the instructor. The holding kiln will be used as a tool to enable students to work on a larger scale.

Focus On Color Sculpture TOP

In this series of classes we will use colored glass from various borosilicate color manufacturers as we experiment with flame atmosphere and its effect on color in both internal and external applications. We will also become familiar with colors that "strike" and those that are neutral as we create a sample color chart. This class is designed to help you discover your color palette preferences.

Instructor: Liz Mears (author of Flameworking: Creating Glass Beads, Sculptures & Functional Objects, link to see some of Liz' work)
Prerequisite: Some experience
Class Size: Limited to 10 students

Beadmaking (Beginning/Intermediate) TOP

These are combined classes are for both beginning and intermediate level students. You will learn basic beadmaking, as well as advanced techniques. Please wear comfortable clothing (long-sleeved shirts and pants) made of natural fiber and shoes that are closed.

Click on any thumbnail below to see a larger image of Lisa St. Martin's work and hit back button to return here:

Instructor: Lisa St. Martin
Tuition: $250 (includes materials)
Prerequisite: None
Class Size: Limited to 10 students

TOP

Jewelry Design with Lampworked Beads TOP

This is a brand new three-day class devoted to using your own lampworked beads in creating a piece of jewelry. Students will come to class with a design for a piece of jewelry that they would like to create. Students will discuss colors, shapes and techniques of the beads they will make to complete their design. Students will work on an oxygen/propane torch to create their beads.

Design and finishing techniques will be discussed and students will begin to assemble their jewelry. Finished piece may need to be completed at home. Equipment and Morretti glass will be supplied. All stringing and beading materials as, well as any exotic lampworking supplies (dichroic, metal leaf, etc) must be supplied by the student.

Instructor: Lisa St. Martin
Tuition: $350 (includes materials except as noted above)
Prerequisite: Some experience in beadmaking
Class Size: Limited to 10 students

Beadmaking (Advanced) — Is This Glass? TOP

In this two-day workshop students will learn how to combine enamels, ceramic overglazes, fuming, electroforming and engraving to create a new look for beads.

Instructor: Kate Fowle Meleny (link to see some of Kate's work)
Tuition: $300 (plus a materials fee of $20 payable to the instructor)
Prerequisite: Some experience
Class Size: Limited to 10 students

TOP

Open Studio for Flameworking & Beadmaking TOP

Instructor: Liz Mears/Lisa St. Martin
Tuition: To be determined
Prerequisite: Students experienced in the use of oxy-propane torches

TOP

Mold Making TOP

Rubber Mold Making TOP

Instructor: Patrick Birge, MA, MFA
Prerequisite: None
Class Size: Limited to 10 students

This is a fun introductory and intermediate 8-week course designed to teach methods in making rigid and flexible molds. Molds will be lifted from sculpted or found objects. Using student’s work already completed in clay or other materials, this course will demonstrate the steps and methods needed for making an open face or relief mold as well as the ever-difficult piece mold. From plaster to rubber, from oil clay to polyurethane, plan to get messy and creative!

TOP

Mosaics TOP

Mosaics were created and perfected by the ancient Greeks and Romans. This unique art form has persevered throughout the centuries down to today. Now this ancient art is experiencing a phenomenal growth in popularity throughout the country and around the world. Experience for yourself the enjoyment of learning the art of mosaics. Our classes and workshops are ideal for both beginners and more advanced students. You will learn various methods and techniques, use a variety of glass, tile, stone and small materials, and become skilled in the use of the full range of tools. Class and workshop size is kept small to ensure that you will receive individualized instruction. Interwoven in the course structure will be a survey of the history of mosaics.

Instructor: Gene Sterud, a retired archaeologist, has taught mosaics in the Greater Washington Region for a number of years. Dr. Sterud is an active member of the Society of American Mosaic Artists.

Click on any thumbnail below to see a larger image of Gene Sterud's work and hit back button to return here:

The Art of Mosaics (Beginning/Intermediate) TOP
Students will learn, step-by-step, the methods of creating a mosaic work of art and will have the option of creating of replica of an ancient mosaic or a contemporary piece. Each student will produce one or (time permitting) two framed mosaics, ca. 12” x 14”, during the course.

Instructor: Gene Sterud (see bio and examples of work above)
Tuition: $200 (plus a kit fee of $100 payable to the instructor)
Prerequisite: None
Class Size: Limited to 12 students

TOP

Mosaics MIrror Workshop TOP
Students will design a 12-inch round or square mirror using glass tiles — then cement, grout and finish the piece. Excellent for gifts.

Instructor: Gene Sterud (see bio and examples of work above)
Tuition: $70 (plus a kit fee of $35 payable to the instructor)
Prerequisite: None
Class Size: Limited to 12 students

TOP

Mosaics Table Workshop TOP
Design and make a table top using glass tiles. You will then cement, grout and finish the piece. These make excellent holiday gifts.

Instructor: Gene Sterud (see bio and examples of work above)
Tuition: $90 (plus a kit fee of $65 payable to the instructor)
Prerequisite: None
Class Size: Limited to 12 students

TOP

Stained Glass TOP

Stained Glass (Beginning/Intermediate) TOP

Beginning students are able to choose between copper foil or lead came construction to learn the basic techniques of cutting, assembly, and soldering a stained glass window. Students are able to choose from available patterns or design their own. Technique and skills are stressed in this course. Intermediate students will work in an open workshop environment on three-dimensional pieces, larger scale windows, or more complex smaller windows. Intermediate students should come to the first class one hour early with project ideas in mind. All students are able to leave projects and tools in the classroom during non-class times. Tools and supplies may be purchased from the instructor.

Instructor: Jimmy Powers — has been working in the stained glass industry for 19 years. Jimmy studied the basics of glass construction at James Madison University in Virginia.
Tuition: $200 (plus the cost of glass)
Note: Nursing and pregnant women should check with their physicians before registering.
Prerequisite: None
Class Size: Limited to 12 students

TOP

Introduction to Stained Glass — Intensive for Beginners TOP

In this three week intensive course, students will dive full force into the world of stained glass.

• Week one students will learn the basics of glass cutting and assemble a copper foil project.
• Week two will concentrate on lead came construction.
• The final week will be spent on basic 3D construction, and putting all your newly acquired skills to work by making quick and simple projects for gifts, such as boxes and picture frames.

A selection of projects will be offered each week.

Instructor: Jimmy Powers — has been working in the stained glass industry for 19 years. Jimmy studied the basics of glass construction at James Madison University in Virginia.
Tuition: $300 (plus $60 supply fee payable to the instructor)
Note: Nursing and pregnant women should check with their physicians before registering.
Prerequisite: None
Class Size: Limited to 12 students

TOP

Intermediate Open Workshop TOP

Work on your own projects under Jimmy's supervision.

Instructor: Jimmy Powers — has been working in the stained glass industry for 19 years. Jimmy studied the basics of glass construction at James Madison University in Virginia.
Tuition: $300 (plus the cost of materials)
Note: Nursing and pregnant women should check with their physicians before registering.
Prerequisite: Prior experience required
Class Size: Limited to 12 students

TOP

Stained & Fused Glass — Mixed Media Portrait TOP

Students will design and construct free-form pieces of stained glass using copper foil construction, fused details, wire work and found objects. Designs will be using photographs supplied by the student.

Click thumbnail to see larger image and hit back button to return here

Instructor: Mara Burk – Mara has been working in stained and fused glass for the past 15 years, teaching all levels of classes and workshops. Her current interest is in exploring with students the idea of creating glass works that examine the tapestry of themselves and their lives using stained and fused glass as the medium.

Tuition: $200 (plus the cost of supplies)
Note: Nursing and pregnant women should check with their physicians before registering.
Prerequisite: Successful completion of a copper foil construction class. Please bring photographs, pencils and sketchbooks to first class
Class Size: Limited to 12 students

TOP

Stone Carving TOP

Discover the joy of stone carving! Using hand tools and pneumatic tools you will explore the infinite dimensions of stone carving. This process provides numerous opportunities to explore forms, movement, surfaces accentuated by the beauty of the material.

Instructor: Reinaldo López
Recent works include the bronze busts of Sojourner Truth and Benjamin Banneker; and the modeling, molds, and casting in concrete of new statues of the four Taft Memorial Bridge Lions (originally sculpted by Roland Hinton Perry in 1904). Reinaldo is also the artist who cast the bronze lions at the entrance to the Smithsonian’s National Zoological Park.

Click on any thumbnail below to see a larger image of Reinaldo's work and hit back button to return here:

Stone Carving — Beginning/Intermediate TOP

This class includes both beginning and intermediate students. Beginners will learn about: the composition of stone; safety procedures; the use of tools (pneumatic and hand) for carving; sharpening of tools; and will create a small sculpture. Intermediate students will build on their stone carving skills and explore the use of larger pieces of stone (limestone or marble) and create a large sculpture.

Class Size: Limited to 12 students
Tuition: $260
Note: There is an additional $45 charge for stone

TOP

Stone Carving — Open Studio for Advanced Students TOP

Instructor: Reinaldo López (see samples of Reinaldo's work above)
Prerequisite: Students experienced in the use of pneumatic tools

Bas-Relief Ornamental Carving TOP

Learn the various techniques associated with bas-relief (also known as low-relief). Classes will be starting in 2005

Instructor: Reinaldo López

TOP

Metal Sculpture & Welding TOP

Instructor: Reinaldo López
Prerequisite: None
Class Size: Limited to 10 students

Students will learn how to create a metal sculpture in steel using welding and other methods. Class will be scheduled when electrical upgrade is completed.

TOP